The Fine Art Behind Starting Lineup Figures
By Hank Reed
SLU Authority
March 2019
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In many ways SLU figures are works of art. Look closely at the bold colors, player details, team logos, poses, packaging and engineering that went into producing the collectible toy line.
Today, I collect primarily very hard to find SLU figures such as hand painted figures or prototypes, hardcopy, unreleased or pre-production concept items. Do you ever wonder who were behind some of these fine art details throughout the process?
SLU Authority was fortunate to meet with Pat Healey (sculptor) and Chris Felix (painter) to learn more about the fine art behind SLUs. Both artists worked on projects for the Starting Lineup toy line at Kenner / Hasbro. Both more than likely contributed to the SLU you have in your collection.
Pat and Chris are both Cincinnati natives and grew up together…they even attended the same high school, acclaimed Elder High School. They were teammates in various sports and both baseball players (Felix once beat Healey in a 11th grade golf tournament).
Pat went on to St. Thomas University in Miami, Florida to play collegiate baseball as a pitcher (and Nolan Ryan fan). Pat was coached by manager, Paul Mainieri, the St. Thomas Hall of Famer, LSU Tigers, and USA National Baseball manager. Pat transitioned back to Cincinnati, Ohio where he finished at Mount Saint Joseph with a degree in the Arts.
During his last year at Mount Saint Joseph, Healey was fortunate to get a Co-op position working at Kenner (located in Cincinnati, OH). Healey worked for Kenner / Hasbro from 1991-2001 from Co-op position to principal sculptor. He worked on SLUs and the Star Wars line and other assignments. Healey started Helium Studios after his tenure with Kenner / Hasbro and still contracts with toy designers who seek his sculping talents.
Felix studied at the Cincinnati Art Academy in Cincinnati, Ohio. His art career has included being a graphic designer and artist, a scenery painter for major amusement parks and toy prototype painter for Hasbro and Warner Brothers to name a few. His works have also included artwork for Topps trading card company and the Cincinnati Reds Hall of Fame. He is also the field manager on the Reds Hall of Fame and Museum 1869 Red Stockings vintage baseball team and Reds Fantasy Camp ambassador. His work has been featured at various art galleries and exhibits, including published works. Today, Chris works on private commissions, and acrylic sports paintings and merchandise representing his works of art. Chris was a graphic artist for Kenner / Hasbro from 1992-1997 working on the Aliens toy line and of course, Starting Lineup sports figures. www.ChrisFelixFineArt.com
Both artists found themselves working together again recently on a project for the Cincinnati Reds Hall of Fame and Museum…Harry and George Wright commemorative polyresin busts. Of course, Pat worked on the sculpting while Chris painted the busts (pictured above).
Below are some questions the SLU Authority asked the two about their experience and knowledge working on SLUs.
Q: Who picked the players to be featured?
A: There were several involved with the selection process, however, the hardest part was predicting who was going to be the next rookie of the year or who was going to be on what team. It was customary to have our selections approved at least six (6) months well in advance before final release for inclusion in the production run, however, most selections were made up to one (1) year in advance. The staff who were responsible for selecting the players were not all sports fans, which made it even more difficult at times. We would get lists of forty (40) plus players each year in each sport to consider adding.
Q: What was the process to sculpt / paint a prototype?
A: There was always a rush and strict deadlines, and all were priorities. There were various status meetings each week where the team would review what needed to be completed and where each figure was along the process. We used wax (in most cases) to sculpt the figure, which would need final approval or sign off from the team, which included at times up to eight staff members to approve. We would have at least 13 weeks to get final approval of each wax sculpt.
We often referred to working on pieces, not necessarily figures that needed to be completed for approval. For example, we would sculpt and construct the legs & base, torso, arms, and head. This would be pieced together and walked down the hallway to get approval. If approved, the team would begin working on creating the mold from the sculpt, so we could make a hard copy and then turn over to the graphic or paint team (paint shop) to add decos (decorations and or details).
SLU Standards included similarities per figure, such as the shoes with no logos (Pat once suggested creating the SLU Shoe brand name since apparel logos could not be added due to licensing), and stripes going down the baseball uniform pants, which stayed very consistent over time. There were many tests to determine if the tampo stamp or print would look good on a player or pose (or if it could work), including adding the wrinkle lines in the uniforms, adding the names and numbers. Ultimately, through the process some details would not entirely translate to the finished product from the original sculpt. There were often changes over time such as the hairstyles, poses, and uniform colors (and new players to consider).
Grey or white primer was normally added to the hard copy to prep for paint. Color matching would be mixed with cel vinyl paint by Cartoon Colour to create a version or prototype or as we referenced them, “Paint Masters” of the finished figure with team logos, uniform colors and other details (often sent to the factory). This would then be approved, or changes requested, and the process would start over. Lacquers would often also be added to the painted figure. Over time, many hard copies of various poses would already be made and would be selected from the “cage” to paint the next figure considered or featured for SLU production.
Q: How many prototypes were made of each player?
A: We created two (2) paint masters per player, so at least two, however, each one being unique. There were always two per player to send to factory, toy fairs and executive meetings. Some players may have up to 5-7 prototypes each. Many of the wax sculpts were destroyed over time or even re-purposed for other SLU designs. Hand painted figures were also photographed.
Q: How many poses did they make of each player each year?
A: We had at least twenty-nine (29) or more poses for baseball. We had an approved pose board that we would refer to often to select the pose. The first pose (Pat) worked on was the very first goalie poses of Grant Fuhr. Pat recalls borrowing goalie equipment from the Cincinnati Cyclones hockey team to help create the sculpt that was a true representation of the hockey gear. There were many changes over time during that pose that created undercuts and other challenges, but of course, one of his favorites since it introduced hockey into the SLU toy line and was his first completed sculpt ever at Kenner.
Q: What was the most difficult figure or pose to sculpt?
A: Golf! Creating the sculpt for Arnold Palmer was challenging…it was difficult to re-create the golf swing pose at the time.
Q: Where did you get your creativity or influence from to create new poses and sculpts?
A: We weren’t all digital like we are today. We didn’t even have computers in our homes. We would reference sports magazines, VHS tapes and highlights and pause the tape to get an idea of a new pose (but video was grainy back then). We even visited the local library nearby for references. This was a big challenge in the early years.
Q: What was your favorite pose?
A: The Penny Hardaway “Defensive” pose will always be one of my favorites and the Fuhr goalie pose and “Double Play” baseball pose, basketball One on One, Cal Ripken Stadium Star.
Q: What other sports do you think should have been released or included in the SLU line?
A: We were advocates of women’s sports and adding more to the line. We created women gymnastic poses and considered women’s tennis. We even had a gymnast look at our Timeless Legends gymnastic poses to make sure they were accurate representations.
Q: What do you think about the new Starting Lineup releases (SGAs)?
A: It’s great to see SLUs again! Recommendations include bringing back the classic look to SLUs as we know them. Attention to detail and including player stats or look of a baseball card on the back of the packaging may be of interest for collectors. There is still room for growth of the new line…maybe not to where it was in the early 90’s, but there is still plenty of potential.
Q: Final thoughts and memories working on the SLU line?
Pat:
“I argued for an all Bo Jackson SLU series with various poses. I also wanted each player or figure to all have unique poses (the same poses were used year after year throughout the line). I also had Boba Fett heads on SLUs displayed on my desk…nobody understood it, but I thought it was cool.”
“In 1993, Kenner had a booth at the All-Star game FanFest in Baltimore, Maryland. They wanted to show the world that these figures were made by hand. My assignment was to work with wax and create new designs and or players while the public watched. Over the weekend thousands of collectors and fans stood in line and watched me sculpt. Soon thereafter, many were bringing Starting Lineups over for me to sign. At one point, a man was excited shouting that’s my son, that’s my son…it happened to be Darren Daulton’s father watching me sculpting a future figure of Darren.”
Chris:
“I was selected to travel on an eighteen-wheel truck to West Palm Beach, Florida to accompany all the prototypes and Kenner / Hasbro exhibit items of every toy line for the toy fair in the mid-nineties. I made sure that everything was safe and secure. If damaged or chipped, I would add paint to make sure the prototypes looked good for the Toy Fair. It was a wild trip riding in the big rig to Florida. I enjoyed my time at Kenner / Hasbro and was able to use my talents as an artist to paint sports figures!”
*SLU Authority would like to thank Pat and Chris for their time and contributions to the hobby. Some content was summarized for this article.